lut
mate

Color Grading Plugin.
For Photographers.

Grade video the way you grade photos. Your Lightroom instincts, inside Resolve, Final Cut, Premiere Pro and After Effects.

Photographers already know color. The only thing missing was a tool that speaks their language on the timeline.

Video editors grade with nodes, scopes and LUT stacks. Photographers grade with sliders they’ve trusted for years: exposure, white balance, HSL, tone curves, split toning.

LUTMATE puts exactly that panel into your NLE. Grade a clip like a RAW file, protect skin tones automatically, and export the look as a LUT for every project after.

21

Camera profiles

12

Tools

10 Bit

End to end

Works inside

Davinci Resolve

Final Cut Pro

Premiere Pro

After Effects

What’s in the panel

Three tools that carry 90 % of a grade. Everything else stays out of your way.

Panel

Works like Lightroom

Exposure, white balance, highlights, shadows, vibrance: the same sliders you use on photos. No colorist knowledge required.

Skin first

Skin tones, handled

Target skin in hue, saturation and luminance, plus skin smoothing without halos. Portrait quality straight out of the photo studio.

Log in one click

From log to cinematic

21 camera profiles from ARRI to Sony, color density for rich natural color, and bloom, halation and grain for the filmic finish.

Before / After

Flat log in. Your look out.

Left is the camera’s S-Log3, right is one LUTMATE profile plus four slider moves.

BEFORE · S-LOG3

AFTER · PORTRAIT 01

Sony FX3 · S-Log3 · 4K 10 bit

Profile: Sony S-Log3 · Exposure +0.4 · Highlights −32 · Skin Hue +3 · Density +35

All twelve tools.
Nothing else.

Every control in LUTMATE, in the order you’ll use it: fix the exposure, protect the faces, add the film. Works on every clip, every host app, in 10 bit end to end.

Base

Fix the image before the look

01

Profile

21 camera profiles from ARRI, RED, Sony, Canon, Blackmagic, Panasonic, Fujifilm, Nikon and DJI. Log in, Rec.709 out. One click.

02

Look

Your starting point: built-in looks for portrait, wedding and street, or any LUT you already own.

03

Basics

Exposure, white balance, highlights, shadows, vibrance. The same sliders as in Lightroom.

04

Color density

Saturation that behaves like film stock. Richer where it matters, never neon.

Color

Shape the palette

05

Color mixer

Hue, saturation and luminance for eight color ranges. HSL, exactly as you know it.

06

Split toning

Separate tints for shadows and highlights, with balance. Teal and orange in two moves.

Skin

Faces come first

07

Skin tones

Isolates natural skin and adjusts hue, saturation and luminance separately from the rest of the frame.

08

Skin smoothing

Frequency-aware softening that keeps pores and edges. No halos, no plastic.

Film

The cinematic finish

09

Bloom

Soft glow around light sources, controlled by threshold and radius.

10

Halation

The red-orange edge glow of celluloid, tuned per highlight range.

11

Vignette

Darken or lighten the edges with feather and roundness. Draws the eye, never looks pasted on.

12

Grain

Real scanned grain in 35 mm, 16 mm and 8 mm, size and intensity adjustable.

Editing videos feels so familiar now. Finally a tool that makes the transition to videography a breeze.

Photographer, early access

Portrait & Wedding

Shot on Sony FX3 · S-Log3

Graded in four minutes, on the train home.

PROFILE · SONY S-LOG3
DENSITY +35 · HALATION 20
GRAIN · 35 MM

Try LUTMATE free

14 days, every feature, no watermark. Install the panel, open your last shoot and grade it like you always have.

Licenses

One panel, every host app. Pay monthly, yearly, or once and keep it forever.

Monthly

Flex

Yearly

Pro

One-time

Lifetime

Price

$9 / month

$79 / year

$199 once

Billing

Monthly, cancel anytime

Yearly

One payment

Devices

2

2

2

Host apps

All four

All four

All four

Updates

Included

Included

1 year, then optional

Commercial use

✓

✓

✓

LUT export

—

✓

✓

All licenses include the 14-day trial. Prices excl. VAT.

One grade a week, in your inbox

Before/after, the settings behind it, and what we learned on set. No spam.

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